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Omar S
A cult figure for much of the decade, as it came to a close the rest of the world finally took notice. Raw, emotional house and techno that truly sounded like no one else. His FXHE label not only delivered his own classics but introduced the world to Kyle Hall, Luke Hess, Jus Ed and M. Pittman. Not bad going. His penchant for irritating people by simply not giving a fuck about anyone else was hilarious too. Underground and independent to the last.
Villain
Ping Pong Techno
I'm not going to give it the dignity of calling it minimal techno. Somewhere around the middle of the decade a bunch of shit, funk-less producers and DJs discovered that no one cared about their banging loopy techno any more so decided it was time to create the most insipid, bland and DULL AS FUCK dance music of the decade. It was mainly comprised of effects that sounded like two handicapped cows trying to play a game of table tennis with the flattest kick drum ever backing them up. A whole genre made up of filler tracks. No wonder everyone resorted to taking Ketamine.
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Shout out for the Ping pong sh*t !